
Of Santana's monumental performance, weeks before their debut LP was released,
Carlos Santana said, "It was very memorable
and monumental. We didn't know that there were so many people in the '60s that
wanted to stop the war. People got involved in the '60s, with the Black
Panthers and the students. We wanted to change the world, like Jim Morrison,
from The Doors, said: 'We want the world and we want it now.' I didn't realize
till we got to Woodstock just how many freaks [there were] at Woodstock. There
were women and men, an ocean of hearts screaming. I use this word 'freaks' as a
positive thing. Freaks are great. Freak is a good word because you're outside
of the normal," he told Billboard. "We all wanted Vietnam to stop. We
wanted to be liberated, emancipated from mental slavery. We are one family at
Woodstock." Woodstock was indeed about peace, about love and of
course about the music, but it was also a portrait of our nation's youth,
struggling with parents and a generation who could not understand the dissent.
It was a generation intent, not on preserving the American way of old, but one that
dismissed many of the ideals held in such esteem in America's bedroom communities.
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Bobbi Kelly and Nick Ercoline Greet the Sun and Become an Icon |
During The Who's
performance, which ended at dawn, Sunday morning, the concert's only real
controversy arose when Abbie Hoffman rushed the stage during a break in the
set. The activist took over the PA in a semi-coherent rant about freeing John
Sinclair from jail. Pete Townshend turned, yelled at Hoffman to get off "my
stage," and hit the activist in the head with the neck of his guitar.
By Sunday the world was already experiencing the shock of
the new through newspaper and television coverage, but within the festival grounds, it was still about the music. Joe
Cocker was the first act on the last officially booked day (Sunday, August 17th), opening for the day's booked acts at 2:00pm. The incessant rain ultimately delayed the schedule nine hours. By dawn (Monday
morning), the concert continued despite most attendees having left, returning
to the working week and other normal
obligations.
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A Rarely Seen Alternate Shot |
Ten Years After, Blood, Sweat and Tears and Johnny Winter
would all have commendable sets that afternoon, but it was Crosby, Stills and
Nash who stole the show on Sunday, with Neil Young on stage as well, who
refused to be filmed. Crosby, Stills, Nash and Young had played only one previous
show prior to Woodstock, and although each member was experienced in the rock circuit, the lack of
playing together left them incredibly nervous; the gravitas of the festival
fully apparent by day three. The set included acoustic performances of
songs from the first album released without Young (Crosby, Stills & Nash – AM10), who played as a duo with Stills during the
performance. The pair were introduced as Buffalo Springfield, although they'd
disbanded in 1968. After their sink or swim induction into the rock 'n' roll
world at Woodstock, they followed up with their first release as a quartet
titled Déjà Vu (AM10), which topped
the charts and produced three hit singles. In addition to the Stills/Young duet, the CSNY set included two separate components; the first acoustic, the latter electric.
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Sister Susanne Bunn |
As most people assume that the Aquarian Exposition was
held in Woodstock, many are also under the impression that the song, "Woodstock," was played at the concert. It is perhaps
ironic that the artist who, for some, defines the Woodstock Festival was not
actually there. Like a lot of artists who should have performed, who one
fancifully imagines did perform, Joni Mitchell was a part of an absentee
list that included Dylan, Led Zeppelin, Love and the Doors. Joni's manager insisted
that keeping a scheduled interview on The Dick Cavett Show was more beneficial
to her career. Sitting in her hotel room awaiting her appearance, Mitchell
watched what has come to be regarded as the defining event of the Aquarian Age unfolding before her eyes in a series of television news bulletins. Woodstock,
she would later state "struck her like a modern-day fishes and loaves story.
For a herd of people that large to co-operate so well, it was pretty
remarkable, and there was a tremendous optimism. So I wrote the song 'Woodstock' out of these feelings."
The Paul Butterfield Blues Band and 50s era cover band
Sha Na Na, possibly the least apropos act signed on to the festival, followed; Sha Na
Na performing at the break of dawn, Monday morning.
Jimi Hendrix insisted on being the final performer of the
festival and was scheduled to perform at midnight. Due to the various
delays, he did not take the stage until 9:00am on Monday. The crowd, estimated
at over 450,000 at its peak, is reported to have been no larger than 80,000
when his performance began (with possibly as few as 25,000). His set lasted two
hours - the longest of his career - and featured 17 songs, concluding with
"Hey, Joe," which was played to a relatively empty field.